CHRIS KORDA "The Church of Euthanasia Archives"
Goswell Road, Paris
by Sarah Moroz
Throughout the 1990s,
the Church of Euthanasia
(CoE) channeled the
spirit of the Situationist
International and Dada
movements. The group used
prank-like protest tactics
and absurdist guerrilla
theater, at once ludicrous
and inspired, to raise
public awareness regarding
ecological precarity and
reproductive rights. The
radical organization was
spearheaded in 1992 by
transgender artist, activist,
and software developer
Chris Korda. Korda branded
the movement with the
sardonic slogan “Save the
Planet – Kill Yourself” and
venerated Dr. Jack Kevorkian
(advocate of euthanasia)
and Margaret Sanger (founder
of the American birth
control movement and Planned
Parenthood) as saints. The
crux of the group was “Thou
Shalt Not Procreate”; its
complementary Four Pillars
were suicide, abortion (as
in pro-abortion, not pro-
choice), sodomy (as well
as sex not resulting in
offspring), and cannibalism
(fiercely vegetarian, no
difference was made between
eating a pig, a cow, or a
human). An article on the
group’s website (“Eat Me:
Rev. Chris Korda Dines for
Our Sins” by David Grad)
cites political artist Lydia
Eccles’s attraction to the
group: “It’s amazing, as
a woman, to have someone
patting you on the back
for not having kids: The
prevalent culture defines
not having kids as an act of
selfishness.” She added, “Now
I’m getting recognition for
things that used to be signs
of dysfunction.”
The Church of
Euthanasia stressed that
the global environmental
crisis — climate change,
overpopulation, decreasing
biodiversity — was a direct
result of human self-
absorption and negligence.
Thus, they attempted
to dismantle society’s
“normative” reckless
behaviors that bulldozed
our ecosystems; the group’s
incendiary proselytizing and
confrontational approach
flagged that genuinely
catastrophic consequences
lay ahead. The show features
restored video footage of
their public displays, like
symbolically emptying a
container filled with semen
in front of a fertility
clinic, or a member strapping
himself onto a rotating spit
like a sidewalk rotisserie
(while a fellow member
distributed a platter of
alleged bite-sized flesh
samples). Adjacent to these
clips, the gallery displayed
original Church of Euthanasia
memorabilia in a vitrine —
pins espousing EAT A QUEER
FETUS FOR JESUS alongside a
Got Milk ad retooled with the
word SPERM.
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