Church of Euthanasia

The One Commandment:
"Thou shalt not procreate"

The Four Pillars:
suicide · abortion
cannibalism · sodomy

Human Population:

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Church Video

WARNING: This video contains adult material.
If you're a minor, click here.

"I Like to Watch" video
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"I Like to Watch" MP3 audio
Original Video Mix House Remix Cannibal Whore Feast Remix Richard Bartz Remix Paul Davis Remix

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The "I Like to Watch" audio is available on VINYL from Possible Music
Click here to order I LIKE TO WATCH bumper stickers
Click here for the I LIKE TO WATCH promo photo
Click here for I LIKE TO WATCH lyrics in english or spanish
Here's a brief interview with Rev. Korda on "I Like to Watch"


"I Like to Watch" is a four-minute music video which explores the connections between the September 11 attacks, professional sports, and pornography. It's often understood as a critique of the voyeurism inherent in mass media, but this wasn't the original intent. The video simply attempts to capture the author's personal experience of watching the attacks on TV, including childish glee, vindictiveness, perverse fascination, and sexual arousal.

The video also frames the attacks as Freudian drama on a national scale. The towers are phallic, and the gashes made by the planes are vaginal. The violent penetrations ultimately deflate and invert the towers, in a forced transsexual surgery that emasculates America.

"I Like to Watch" was released on the Internet on December 11, 2001, and received over one million downloads within two weeks. By the end of the month, even the Washington Post referred to the 9-11 footage as a "money shot" and called it "our new porn" [12/31/2001, Page C1]. The music was distributed on vinyl by Null Records (Berlin) in September 2002.


Boston Underground Film Festival, Boston, Feb. 2002
Clair-Obscur Film Festival, Basel, Oct. 2002
Danish Film Institute, Copenhagen, Sep. 2003
Cinémathèque Française, Paris, Nov. 2003
For all audiences, Sala Rekalde, Bilbao, Mar. 2005
Chris Korda & The Church of Euthanasia Archives, Goswell Road, Paris, Apr. 2019
The (Wo)Man of the Future, Le Confort Moderne, Poitiers, Jun. 2022

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